Create a Spider Pendant by Janet Dwyer Jewellery Design

Add some lovely gems and Halloween fun to your jewellery collection with this easy to follow step by action spider pendant tutorial by Janet Dwyer Jewellery Design

Materials needed:

Black Agate Semi Precious Round Beads 8mm 16 ″/ 40cm Strand

Silver Plated Head Pins 50mm Pack of 50.

Cut the wire at the back of the pendant leaving a small excess.

Thread on the 4 x lengths of wire from Step one and a 4mm silver plated bead.

Silver Plated Jump Ring Oval 6mm Pack of 100.

Step 5.

( 1) Wrap one wire around the other as shown. (2) Use flat nose pliers to close the wrap and press in any sharp ends. (3) Make a loop with the remaining wire using round nose pliers. (4 ) Your heart should look now like this. How to Make a Gemstone Drop.

How to Assemble your Pendant.

Action 2.

Beadalon Artistic Wire 22 Gauge Silver Plated 0.64 mm X 9.1 m– approx. 10cms x 4

Xuron Wire Flush Cutters.

How to end up off.

You now have all components to assemble your pendant.

Silver Plated Plain Round Beads 4.0 mm 2 Hole Pack of 50.

Action 3.

Close the bend with flat nose pliers.

Make a bend in each wire as revealed one to the side and one directly down.

Step 17.

Action 19.

Step 20.

Add an 8mm gems to a headpin and turn a loop using round nose pliers.

Action 6.

Step 4.

Place the spider over your heart pendant in the position you want.

How to Make a Wire Heart.

Step 16.

Wrap each wire around the heart frame twice as shown.

Step 1.

Wrap the wire around the 4mm bead as you carried out in Step 2. Your spider is now total and ready to contribute to your pendant later.

Step 7.

Step 18.

Plastic Ring Stick.

Beadalon Artistic Wire 18 Gauge Silver Plated 1.0 mm X 6.1 m– approx. 14cms

Beadalon Artistic Wire 20 Gauge Silver Plated 0.81 mm X 7.6 m– approx. 12cms

Action 12.

Step 8.

To make a spider you will need: 4 x 10cms 0.64 mm wire, 1 x 12cms 0.81 mm wire, 1 x 14cms 1.00 mm wire, 1 x 8mm gems and 1 x 4mm silver plated bead.

Tools needs:.

Step 11.

Shape each wire around a mandrel as shown. If needed), (a ring mandrel is best for this as it enables you to make various sizes.

Step 10.

Utilizing flat nose pliers cover the excess around the wire to finish off.

Round Nose Pliers.

Lots of thanks to Jan for producing this ace tutorial for us.

Step 9.

You must now have a heart shape. Place the spider onto the heart to make sure the size is proper.

Your pendant needs to now look like this.

Add the gemstone drops to the loop on the pendant, add a dive ring and chain, your pendant is now complete.

Step 13.

Take each length of 0.64 mm wire and twist around the 0.81 mm wire as shown to create a loop in the middle of the length.

Step 15.

How to Make a Gemstone Spider.

Action 14.

Xuron Short Flat Nose Pliers.

( 1) Add an 8mm gems to the 0.81 mm wire.( 2) Wrap the wire around the gems as revealed.

See more jewellery making tutorials.

Make a bend in the middle of the 1.0 mm wire.

Silver Plated 2.3 mm Trace Chain 18 ″/ 45cm.

Turn the wire around and hold in flat nose pliers so you can separate the strands in opposite instructions as revealed.


A Guide To Selling Jewellery On Amazon

The majority of jewellers decide to sell their styles at craft fairs or on sites like Etsy, but after spending so much time and effort improving your items and styles, you might now be in a position to start offering jewellery online somewhere else. If youre all set to take your business to the next level, inspect out our guide to selling jewellery on Amazon– a worldwide e-commerce site designed for the sale of a large variety of products.

How to offer jewellery on Amazon

Before you start, its worth keeping in mind that just approved sellers of fine jewellery are allowed to offer jewellery on Amazon. Wish to demand approval? Visit to your sellers account, click “Add a Product” in your inventory, look for your existing great jewellery item and after that choose “Request for Approval”. Just finish the application form, send and wait for your action. You might be prompted to pay a non-refundable application fee, so examine out the fine jewellery terms prior to submitting your application.

When your application has actually been approved, you can start offering jewellery on Amazon! There are a few things to consider when it comes to constructing your Amazon listing:

Title and description– keep it clear, make sure you consist of all the relevant info and optimise for keywords

Images and video– a really fundamental part of your listing, offering customers a clear view of the item and each part

Consumer evaluations– having visible evaluations can press customers who are on-the-fence to purchase of your product over options

Star score– symbolising the average client review, enabling purchasers to see a fast evaluation of your product and assuring quality

Stock– stock reports are snapshots of your Amazon listing information, you a better concept of what you have readily available and which products require updating or eliminating

Enhanced content– includes comparison charts, various ways and downloadable documents to personalize your listing with branded properties

Jewellers leading suggestions for selling on Amazon

Offering jewellery online is no mean task, and when it comes to selling fashion jewellery on Amazon, there are no exceptions. Here are a few of the jewellers top suggestions for offering on Amazon:

Usage competitive prices. Many customers on Amazon are there to find the items they want or require, at the most affordable rates. So before you start selling jewellery on Amazon, you need to be familiar with the costs youre completing versus. Unless your item is truly unique, it will require a lot of research study to get the price. Often, having a lower price can also assist your listing show up at the top of the search engine result.

When offering jewellery online, no matter what site youre using, you should include several images that plainly display your products. Required some guidance on jewellery photography? Check out our blog on how to photograph jewellery to help you attract more purchasers.

The dos and do nts of offering jewellery on Amazon

You know what to include, but what are the other dos and do nts of offering jewellery on Amazon?

In basic:

Know the rules and dont violate any of Amazons policies
Start out with a minimum of 10 products and consist of a range of products that your target market might be thinking about
Keep an eye on your evaluations and rankings
Screen your sales and stock
Meet Amazons processing and shipping timelines

Product Titles:

Capitalise the very first letter of each word
Keep your titles short (50 characters minimum), however consist of all important information
Optimise your listings with pertinent keywords– find keywords that are just used on Amazon, have high search volumes and filter them out by importance, competition score and problem
Avoid using dashes and choose commas rather
Avoid including the cost and quantity
Avoid using all uppercase and extra symbols
Do not add seller information

Gallery Images:

Use a pure white background to let the product stand out
Show the item beyond its packaging
Show the entirety of the item, and not just one snippet.
Fill 80-100% of the image frame
Avoid including text/illustrations/graphics/ logos that arent part of the product to your images
Dont use watermarks

Get your service Amazon-ready with Cooksongold

Keep in mind, when offering jewellery on Amazon, all listings and products must observe all the appropriate laws and guidelines– so do your research study to make certain you and your company comply.

Venturing out into the world of offering jewellery on Amazon? Make sure your company and workshop is ready with Cooksongold. Store a variety of jewellery tools, bullion and findings to stockpile on all the jewellery making equipment you require to develop your inventory.


Getting to know Melanie Blaikie

Melanie Blaikie, an author and jewellery maker that specialises in Silver Clay, sat down with us practically to address a few questions about her jewellery making journey, what inspires her and more in the interview below.

I started to specialise in design and worked with many of the big name Bond Street jewellers. I loved this work, up to this point, I wasnt in fact making jewellery myself. It was numerous years– and a modification of career– later, that I signed up for a silversmithing course and discovered it was much more tough than I d imagined …!! My continued curiosity about all things jewellery led me to, what was at that time a really new medium– clay silver.

Let us know a bit about yourself, detailing your background, research study and training in the jewellery making market.

Inform us about your work– exist any specific materials or methods that you favour?

I work exclusively in clay silver which is still a relatively current advancement on the planet of rare-earth elements. The clay is a blend of recycled pure silver with water and an organic binder. Its smooth, pliable texture makes it ideal to form and shape by hand. Considering that discovering silver clay, Ive been on a mission to present it to a wider audience. My work tends to be based around styles that will be easy for beginners to recreate at home, with a minimum of expert or expensive equipment. When fired, it becomes solid, fine silver metal and can be hallmarked 999. Its an almost magical procedure that completely entrances newbies– and I absolutely like it …!!

How would you finest explain your design style?

When Im not mentor, among my favourite methods is Keum Bo, using 24ct gold leaf straight over fine silver. Ive simply finished a gold and silver acorn pendant which Im using today.

I love to develop styles that might in the beginning appear complex or extremely comprehensive but since of the properties of silver clay, are simple for beginners to recreate. My trainees inform me how much they enjoy the sense of accomplishment on producing their very first piece and even much better, how impressed their friends and family are when they see them. For me, simpleness is essential. Absolutely nothing too fiddly or made complex. I like quick tasks with impressive results and silver clay provides on this– each time!

Where do you like to get your inspiration from for your pieces?

Working with clay is quite various to traditional metalsmithing. The techniques are more comparable to those utilized by a potter or ceramic artist a lot of my motivation, originates from those mediums. I enjoy the simplicity of Scandinavian design and get very thrilled about textures and contrasting surfaces. One of my favourite textures at the moment is a simple piece of sandpaper. It looks exceptionally advanced pressed onto the wet clay.

Do you have a piece that you have made which you favour or are especially happy of?

Im practically self-taught with silver clay. The only book I might find when I started was composed in Japanese, so I tend to state my preferred pieces are the ones Ive gained from. This indicates, theyre the ones that failed, triggered me a problem or merely where I slipped up. I inform students, the only factor I understand how to do these things is due to the fact that I did it incorrect, lots of times, prior to I discovered how to do it. Every mistake is a learning chance and I still have so much to discover.

Nevertheless, taking a look at one of my earlier disasters (yes, I do keep them all) wont be much enjoyable here. Ive selected this heart pendant on pearls, just due to the fact that I love the pearls!

What is the one item in your jewellery making workshop that you could not live without?

Something Ive always loved about making jewellery is that a lot of the techniques are the same in time. I couldnt live without my agate burnisher. This smooth stone has actually been utilized for centuries to polish precious metals and I love that sense of history. Its a joy to use, soft, perfect and strong for function. Its smoothness makes it perfect for Keum Bo as it wont scratch or tear the delicate gold foil.

What upcoming patterns do you see being popular soon?

Weve discovered a brand-new way of living with less. Investing less but selecting more carefully, so my forecast for 2021 will be simpler, less noticeable styles created to be more significant to the wearer.

What is the most important lesson you have learnt from your time in the jewellery making industry?

Ive met so lots of extraordinarily talented and wise people, numerous of whom have become long-lasting pals. I believe the jewellery industry is distinct in the sense of trust we position in our peers and associates, and receive in return.

Do you have any specific advice that you would provide to up and coming jewellery designers, or someone thinking about getting into jewellery making?

To someone considering using up jewellery making as a hobby or second earnings, its nearly the ideal side-hustle. You can get begun with very little, it really does not require to be costly– think recycled products– and your new hobby wont take up too much area (at.!!).

Make sure you have a secondary or back-up skill-set to call upon. Hopefully, you wont need to however it will provide you self-confidence to understand that you can survive when times are lean.

Time for a bit of fun in our quick-fire round!

Tell us your favourite …

Colour– GreenBiscuit– Fig Roll (truthfully!) Consume– Coffee with cream (its my special reward) Place– Anywhere warm and sunnyAnimal– DogGemstone– Peridot. Pleased to see it gaining new popularityFood– CakeSport– RugbyFilm — My Fair Lady with Audrey HepburnCity– London.

And finally, what was your motivation behind your book and what would you desire individuals to gain from it?

I was originally composing for a UK audience, Im thrilled to have gotten messages from readers in Europe, the United States and even as far away as Australia …!

As pointed out previously, when I found silver clay the only offered books on the topic were Japanese or American. These were indispensable in helping me begin however I recognised that an extensive guide for UK based novices was needed.

Many thanks to Melanie for sharing her insight and jewellery making journey with us.

View Silver Clay Workshop: Getting Started in Silver Clay Jewellery by Melanie Blaikie.

The book is particularly intended at those just starting out with silver clay. Projects are graded from beginners to more innovative and every stage of the procedure is plainly explained with in-depth pictures. The early pages demonstrate how easy it is to begin with simply a few basic tools and strategies. From here, I hope makers will quickly acquire confidence and move onto the later jobs although Ive particularly kept everything as clear and simple as possible. For me, a terrific task is one thats enjoyable and easy to make in your home. I definitely dont do fiddly or complicated.


Building A Student Jewellery Tool Kit

Thats where we can be found in. When constructing a student jewellery package– from the different kinds of pliers to the tools needed for sawing metal, weve offered a rundown of everything you need.

Beginning a degree in jewellery design? Youll need to ready up with all the right equipment. With a lot of various products available, it can be tricky to decide which ones youll get the most use out of.

What you require to make jewellery as a student


Essential for dealing with wire, having a choice of different shaped pliers will enable you to create any kind of piece you want. Whether you need to correct the alignment of a wire, create a loop or form a sharp angle, here are the pliers that we advise you include to your jewellery making tools starter package.


The next component in your trainee jewellery tool package is a set of files. Youll need some files to ensure your styles are ended up to the highest requirement and are safe for wearing. For example, smoothing sharp edges on a set of earrings!

Soldering devices

One of the most common techniques in jewellery making is soldering. Getting stocked up on some soldering supplies is a great place to begin when working through the devices needed to make jewellery.

Jewellers saw

Cutting metal is inevitable in the jewellery making market, so be sure to obtain a jewellers saw and lots of saw blades prior to you start.

Extra littles kit

And after that theres all the other little extras youll need along the way. Whether its a ruler for measuring your styles or something a bit more particular– like a borax dish and bar– all of these tools will make up crucial elements of your novices jewellery making tool set.

Pick up all your trainee jewellery tool kit from Cooksongold

Now you understand what to consist of in your trainee jewellery tool set, youre all set to get started on your jewellery making experience.

Complete the gaps in your jewellery inventory with the tools above, or select and skip the inconvenience up a complete University Student Jewellery Tool Kit with everything you need in one place. Looking for more info on the different brand names?

Have a look at our visual guide to the Top 10 Jewellery Tools Brands to help you begin.


What Is Gold Filled Jewellery?

You may have stumbled upon the term in the past, however what is gold filled jewellery precisely? If its still a little bit of a mystery to you, youre in the right place. Were here to talk you through the fundamentals of gold filled jewellery, from its differences to the length of time it lasts and whether it tarnishes. Interested in discovering more? Discover all of the answers you need below.

What does gold filled mean in jewellery making?

Up, what is gold filled jewellery? The simplest method to explain it is to highlight its structure. Whether its wire, chain, filled sheet or findings, gold filled jewellery utilizes a carat gold overlay which is mechanically bonded to an inner core made from brass.

Whats the distinction in between gold plated and gold filled?

Whats the distinction between gold plated and gold filled? We can assist with that. Here are a number of distinguishing factors in between the 2:

Production procedure. This is a lot more complicated with gold filled jewellery, where the alloy is bonded to the inner core utilizing heat and pressure.
Gold plated jewellery is far more most likely to tarnish, react with the users skin and lose its shine prior to gold filled jewellery. Learn why below.

Gold plated jewellery has no gold value, whereas gold filled jewellery has 5% gold value.

The length of time does gold filled jewellery last?

If you decide for gold filled jewellery as opposed to gold plated, it ought to last somewhere in between 10 to 30 years. Whats more, it costs a portion of the rate of high carat gold pieces.

Does gold filled jewellery taint?

Does gold filled jewellery stain? In many cases, gold filled jewellery will not tarnish. There are a couple of particular situations where it could occur. These uncommon circumstances consist of transit through polluted areas, direct exposure to chemical sulfide fumes and fire damage.

Get all the gold filled jewellery you need at Cooksongold

For assured quality at a low cost, choose up all of the gold filled jewellery supplies you require online today from Cooksongold.


Designer of the Month – Jenny Gartside

Let us know a bit about yourself, detailing your background, study and training in the jewellery making industry.

I likewise display my work further afield, having actually shown two times in the Annual Exhibition of the Royal Society of Miniature Artists, Sculptors and Gravers held at the Mall Galleries in London, as well as in regional yearly exhibitions consisting of, the Stockport Open Art Exhibition, the Derbyshire Open Exhibition, and the Buxton Spa Prize Exhibition.This year was particularly exciting as I had a silver daffodil sculpture chosen for the Society of Botanical Artists Annual Exhibition an exhibition which I have never entered prior to.

Im likewise a member of the High Peak Artists Association, a collectively run group of over 40 local artists who run The Gallery in the Gardens (Buxton), I have actually been a member for 5 years offering my jewellery and as of spring 2020 I exhibit as a printmaker too, offering etched copperplate and drypoint prints.

Jewellery maker Jenny Gartside has a love of using gemstones and taking her inspiration from nature. Find out more about this months Designer of the Month below

Im a jeweller and printmaker from Buxton in the Peak District. Im likewise a mum, trombonist and wife — having actually belonged to my local brass band (Burbage Band, Buxton) for over 10 years. Music is a family hobby, so in addition to my hubby and boy we have racked up over 71 years of brass band experience in between us!

Inform us about your work– are there any particular materials or techniques that you favour?

Fascinating is a cold joining strategy which I am using a lot more in my pieces, I find it assists to get rid of a few of the issues connected with soldering such as the softening of metal or fire-scale, riveting can be integral to the style of the piece however likewise decorative too, an example being my double flower pendant which is held together with five rivets which likewise make up the stamen, so no heat was utilized in this piece at all! (the chain is also connected with a riveted hoop of wire).

I like working in silver mainly, with a little copper and bronze included for excellent procedure, and occasionally recycled steel. I typically utilize gems in my work, with peridot being a particular favourite to work with due to the fact that I enjoy the abundant green colour. I also enjoy engraving items utilizing a portable graver, I also like to utilize chasing and repousse on copper products, such as bowls.

How would you finest describe your design style?

Varied! I tend towards natural styles, using leaf patterns and shapes, or etching photos of birds and flowers onto jewellery. I feel that my signature style/ pieces are my silver square range which are set with gemstones and have a rough, rusty hammer textured background, these have actually constantly been popular with customers, however I likewise just love the look of the completed product too, so I end up making them a lot!

Where do you like to get your inspiration from for your pieces?

This mostly comes from the natural world as I always have my video camera ready when out walking so that I can capture interesting and brand-new shapes, textures or patterns to reproduce on jewellery in your home. A great deal of leaves, twigs, bark, plumes and seeds make their way home for work, either on my cam roll or in my pockets! I also get motivation from the ancient world, I find Viking and Saxon jewellery definitely fascinating, and I often create pieces in this style.

Do you have a piece that you have made which you favour or are especially happy with?

I believe my finest piece is probably my mini daffodil sculpture in silver. This piece was accepted this year into the Society of Botanical Artists exhibition, sadly the exhibit could not go ahead at the Mall Galleries in London as prepared due to the national lockdown, however it did proceed online! It was very amazing to have this piece selected for the exhibit, and it has motivated me to enter the exhibit again next year.

What is the one product in your jewellery making workshop that you could not live without?

This would be my portable graver which I use a lot! Not only do I etch jewellery with it I likewise use this for my copperplate printing.

What approaching patterns do you see being popular soon?

I think interactive wedding event and engagement ring making will end up being more popular, as people are always trying to find methods to make this most personal celebrations truly distinct. This is something that I now offer as a class from my workshop, and it can be a lot of enjoyable for individuals to make such special products together.

I likewise think that the use of recycled products in jewellery may end up being more popular as we end up being more knowledgeable about environment modification and other environmental issues, I have a range which I make from used steel tin cans, and I identify it as such and these styles have actually frequently offered simply as well as their silver equivalents. I think style is often valued over material, so couple this with some strong eco– credentials and you have rather a desirable item!

What is the most important lesson you have gained from your time in the jewellery making market?

Keep discovering! Although my first jewellery class was over sixteen years back, I still enjoy to participate in courses, if I identify something brand-new that I havent tried prior to I will typically go to great lengths to do this, I have actually taken a trip as far north as Scotland for a course in chasing and repousse, and as far south as West Sussex for a course in conventional hand engraving!

Do you have any specific recommendations that you would offer to up and coming jewellery designers, or somebody interested in getting into jewellery making?

Keep finding out too, it does not always require to be pricey or time consuming, there are many fantastic free online tutorials readily available now.

If you are considering entering jewellery making,– go for it, it is a lot fun! Keep exploring with styles and processes if you are already a jeweller but new to it. While a strong style is typically an excellent ultimate goal, you should not be scared to juggle a mosaic of styles first prior to you find the one that matches you. I still dont have just one design and Ive been making jewellery for practically half of my life!

Time for a bit of fun in our quick-fire round!

For more details on Jennys work, you can visit her site, or feel totally free to take a look at her Facebook or Instagram page.

Tell us your favourite …

Numerous thanks to Jenny for being our Designer of the Month this month and for sharing this info.

Colour– None in specific, I like them all!Biscuit– Mcvities orange clubDrink– Earl grey tea with milkPlace– Monsal Dale in Derbyshire, I have actually always been attracted to this location as it is so stunning and soothing, and I have actually strolled it many times. My other half proposed to me here one brilliant autumn day in 2018, and it is likewise the place we have actually picked to have our ashes spread when we are gone.Animal– Swallows, I enjoy watching their fluid, twisting flight patterns in the sky, and their remarkable speeds, and the sounds! I never ever tire of listening and watching to them, they make their way into my work rather often!Gemstone– Peridot, I enjoy the lovely, intense green colour.Food– All of it!Sport– Outdoor swimming, particularly in winter season … brrr!Film– None! I see viewing films as a waste of my precious time! I only have a lot time on this world and Im not going to waste any of it enjoying ridiculous old films! (… I do like the periodic documentary or retro funny series though!) City– Sheffield, I see it a beautiful, green and friendly city, it is the location where I first learned silversmithing and jewellery making several years ago, it is likewise where my kid was born– 2 things that have actually brought me a lot delight! (I even determinedly attended my very first year of jewellery college while pregnant, and the second year of it as a new Mother!).

Wish to discover the work of other jewellery makers?

Take a look at our interviews with a lot more Designers of the Month to find out more about their styles, motivation and more.


Designer of the Month – Trisha Wood

I am a self taught artist which changed into painting and making jewellery. I make memorial jewellery. Making them specifically developed not simply an ashes jewellery piece.

Let us know a bit about yourself, detailing your background, study and training in the jewellery making market.

Jewellery maker Trisha Wood takes her motivation from the sea in her creations, which include tiny gems, crystals, enamel and resin in a modern and elegant design. Discover more about this months Designer of the Month listed below

Tell us about your work– are there any particular products or methods that you favour?

I use a great deal of tiny gems and crystals to improve the colours of the enamel, amethyst being the most popular then finishing of with high gloss resin.

I work primarily with silver and I like working with enamel. I like the way it lets you know how it wishes to end up!

How would you best explain your design style?

I explain my designs as stylish and modern.

Where do you like to get your inspiration from for your pieces?

I get my inspirations from my energy healing. I utilize the chakra colours as inspiration plus an excellent love of nature. I resonate with sea and majority of my work is coloured aqua blue

Do you have a piece that you have made which you favour or are especially proud of?

I enjoy it. It turned out just as how I imagined. A true statement piece full of my character!

I created a 4 setting charming heavy modern ring. I desired to make something where I might include all my preferred colours in one piece and deal to my memorial clients something more custom and modern than the very same choice across the web for ashes jewellery.

What is the one product in your jewellery making workshop that you could not live without?

May surprise some people however my mini spirit level! Dealing with resin I am careful about it setting even and level. I use it every day.

What approaching trends do you see being popular soon?

I have actually seen an increase in ashes being imbedded into silver whilst in the making process. Offers a mottled impact with the ended up piece, more discrete and extremely efficient. Plumes are a popular demand too. A reassuring message from a loved one

What is the most valuable lesson you have gained from your time in the jewellery making market?

If a customer needs something the other day, that is their absence of timing, not mine!.

Most significantly trust my gut impulse too. Time and perseverance is essential in our field, somethings simply can not be hurried.

My most important lesson whilst making is patience. I am a dreadful prodder! Enamel and Resin can not be rushed.

Do you have any specific suggestions that you would provide to up and coming jewellery designers, or somebody thinking about getting into jewellery making?

Guidance I would provide to someone thinking of entering jewellery is be real to yourself, be yourself. Follow your enthusiasm. Be client and practice loads!

Time for a bit of enjoyable in our quick-fire round!

Inform us your favourite …

Colour– Aqua BlueBiscuit– Anything by Fox sDrink– Coffee, by the gallon … Place– Anywhere in natureAnimal– Dogs. Any animal.Gemstone– AmethystFood– GreekSport– AthleticsCity– London

Many thanks to Trisha for being our Designer of the Month this month and for sharing this details

For more details on Trishas work, you can visit site, or feel complimentary to inspect out her Instagram page.

Desire to find the work of other jewellery makers?

Have a look at our interviews with a lot more Designers of the Month to read more about their designs, motivation and more.


Designer of the Month – Niyanta Shah

Let us understand a bit about yourself, detailing your background, research study and training in the jewellery making industry.

She has likewise taken courses for jewellery design & & illustration, as well as wedding jewellery and tiara making at The London Jewellery School. She loves making delicate and dainty jewellery but wouldnt state no to huge and strong either.

I left school with average grades and entered into an average university to obtain a degree, then fell under a task I didnt find fulfilling however it paid the expenses. I kept sensation there was more to life. 2 years ago I made the brave decision to quit my job since I had discovered a true enthusiasm for beaded and wire gemstone jewellery! I took great deals of courses to learn as much as I could.

My favourites were Jewellery style and drawing and Wedding Jewellery and Tiara making from the prestigious London Jewellery School based in the heart of Londons world-famous Hatton Garden. I also found out a lot from some really generous teachers on YouTube, they taught with such passion that I would see hours of their videos. It was like the existing pattern of binge-watching a series on Netflix! I was connected!

Tell us about your work– are there any particular products or techniques that you favour?

I enjoy to use beads and gemstones. My preferred techniques are to wire wrap gems on earrings and beaded fringe earrings. Youll find a great deal of my photos on Instagram feature these 2 techniques.

How would you finest explain your design style?

Im still finding out about my special design and for that reason like to attempt whatever out! Presently, Im enjoying the technique to layer rows of beads for lockets and lariats. Its almost an art deco style and I love the rich, decadent appearance you can accomplish, advises me of the 1920s, think Downton Abbey!

Where do you like to get your motivation from for your pieces?

Im a huge fan of Bollywood and Im a British Indian so I take my motivation from all things BritAsian. A bit of Downton Abbey, some Bollywood glam, and Ill occasionally look at present jewellery patterns but also anything that pops into my head which can be a little haphazard given that I love to daydream and think of holidays or weddings and celebrations.

Do you have a piece that you have made which you favour or are particularly happy with?

She is 5 years old and is one of the very first luxury looking items I made. Its made with beautiful itty bitty beads and some swoon-worthy Swarovski pearls and has a Swarovski crystal beauty heart.

What is the one item in your jewellery making workshop that you could not live without?

At the minute its the Tulip beading needles. They are very versatile and strong too. Others are available and Ive attempted generic non top quality ones along with those by John James however the ones by Tulip seem to be the very best.

What approaching trends do you see being popular quickly?

This year has been a stinker for everybody and at the end of the year, I think Christmas is going to approve unforgettable gifts, such as thinking of you, or DIY your jewellery so packages and memento jewellery might be big! Were all remaining at house and making presents to ourselves this year. It conserves all the trips to the shops and undesirable returns.

What is the most important lesson you have discovered from your time in the jewellery making market?

If you let it, every error can be a lesson. There have actually been many times Ive invested hours dealing with a job just to slip up in an important step right near completion. In the early days, I would misery at my silliness and get so disappointed at myself. Its a lot of effort and time that goes into developing and making. Ultimately, I found out to see the knowledge in making errors.

We cant get anywhere without taking steps and despite the fact that one or two might be a slip or a trip we are still where we are and we arrived with the errors as well as the successes. Its likewise assisted me to see that I am more skilled now thanks to those errors and what I learnt from them.

Do you have any specific guidance that you would offer to up and coming jewellery designers, or someone thinking about entering jewellery making?

Yes, I would state go for it and do what you enjoy. Learn whatever you can, even from yourself and do not be scared to try all the strategies up until you find your true delighted location.

For instance, I utilized to remake my own jewellery that I d purchased from the high street. I d take it apart and see how it was made then enjoy a YouTube video to discover how to put it back together once again. Be creative and more importantly, have fun!

Finally, time for a bit of enjoyable in our quick-fire round!

Colour– Blue– the majority of my clothes appear to be blue– oopsBiscuit– Nice BiscuitsDrink– Pimms, or Coffee if Im drivingPlace– Anywhere in natureAnimal– ElephantGemstone– Rose QuartzFood– Cheesecake, though I never get to consume any!Sport– CricketFilm– Anything Harry PotterCity– London– its where house is

Tell us your favourite …

Numerous thanks to Niyanta for being our Designer of the Month this month and for sharing this information

Wish to find the work of other jewellery makers?

Take a look at our interviews with much more Designers of the Month to find out more about their designs, motivation and more.


A Beginners Guide on How to Pierce Metal by Christine Pearson

This is an excellent project when learning how to utilize a piercing saw to cut metal. Practice makes best when using a piercing saw, so do not be too disheartened if you break a few blades when you begin. It is crucial to have the blade in the saw correctly, have a comfy posture and saw gently without requiring– the saw will do the work!

Item List

Keeping the saw blade vertical saw gently, following your line. Hold the metal down onto your bench peg– KEEP YOUR FINGERS BEHIND THE BLADE! Move the blade up and down without pushing it versus the metal. The blade will cut the metal on the down stroke. To cut a curve, gradually move the silver on the bench peg as you saw. Do not twist the blade or require, it will break. Rub a little beeswax onto the blade occasionally to stop it sticking. If you get jammed, or go off your line, carefully saw in reverse to return on track.

Originally trained as a Silversmith and Jeweller, BA (Hons) in Leicester, I worked for several years as a Jewellery Designer for a firm producing jewellery in 9ct gold in Worcester. The company produced my styles in their thousands using fly-presses and lost wax casting methods. It was amazing to see my pieces in the large high street jewellery stores.

It may not be recommended for some to utilize your stomach or chest to press the saw frame into the bench peg. As it can trigger bruising or injury for somebody who isnt strong. Instead, press the saw handle using your hands.

Cutting an internal shape.

Recent years found me teaching Resistant Materials in a secondary school and establishing my own workshop back in Leicester. I take pleasure in having the liberty to reveal my own concepts and produce my own work. I work primarily in silver and copper and recently have actually ended up being taken in and fascinated by enamelling. I enjoy the way you can combine the enamel colours in a imaginative and individual way.

I likewise make jewellery for private commissions and teach enamelling and silversmithing workshops to small groups.

Vintage lace and metal punches are utilized to add texture to the silver and copper. I then hand cut the shapes prior to drilling, filing, soldering and assembling my jewellery, all by hand. My silver jewellery is hallmarked in Sheffield.

Choose a basic shape for your style and draw it onto a piece of scrap paper. Cut the paper shape out with scissors.

A bit about me:.

Fine Permanent Pen– Posca Pen 0.7 BlackV Shaped Bench Peg With ClampAdjustable Saw Frame 6 ″ DeepSuper Glardon Vallorbe Jewellers Saw Blades Grade 4/0 Bundle Of 10Beeswax 28g/1oz BlockSterling Silver Sheet 1.00 mm Fully AnnealedImpressart 2 Hole Punch 3.2 mm And 4mm

I utilized a half round needle file and 600 and 1000 grit Wet and Dry documents to smooth my silver pendant prior to polishing on my polishing motor. The silver snake chain and a 5mm jump ring complete the design.


My copper jewellery has layers of vitreous Enamel in different colours added, then fired numerous times, to around 800 *.

More about Christine Pearson.

Undo the bottom wingnut on your piercing saw then thread the sawblade through the hole. Make sure the stress is proper again before you start to saw– if the blade is in too loose or too tight it will snap, keep in mind to test by pinging! If you twist the blade while it is in the metal, it will snap– take your time as you saw.

Your posture matters. Sit in a comfy position so you are able to saw without twisting or bending forward too much. You will saw in the V shape gap in your bench peg. Position the metal over the V shape– holding it down strongly with two fingers. Hold the saw vertically and carefully stroke the blade downwards versus the metal to start sawing.

Influenced by nature, and almost anything on the planet around me, I develop individual pieces of wearable art. I utilize subtle textures, simple shapes and strong colours.

Position your paper design template onto your metal and carefully draw around it onto your silver, using a long-term pen. If you slip up carefully clean away the pen with a damp cloth or tissue and redraw your line.

Rest the top of your saw against your bench or bench peg. Loosen up the leading wingnut and insert the blade, check that the teeth in your saw blade are pointing down towards the handle of your saw prior to you tighten up the wingnut. Firmly press the manage of the saw towards the bench peg as you tighten the bottom of the saw blade into the bottom fastening. The blade ought to make a “ping” sound if you pluck it with your finger nail.

Based in my own workshop in Leicester, I am a contemporary Jewellery Designer, operating in Enameled Copper and Sterling Silver.

Put your blade into your saw.

Which metal piercing pointers would you include?